What else could we possibly feature as a Throwback Thursday film the week before Christmas other than the warm and wonderful Barbara Stanwyck classic, Christmas in Connecticut. Stanwyck stars with Dennis Morgan in a tale of mistaken identity. Stanwyck’s character Elizabeth Lane is a Martha Stewart type journalist who poses as a married suburban woman when in fact she is single and lives in NYC. An invite for a war hero (Morgan’s handsome Jefferson Jones) from the publisher to her Connecticut home turns into madcap bedlam as Morgan falls for the “married” woman. Not to be missed is the supporting performance from S.Z. Sakall as the wacky Uncle Felix who is the real mastermind behind Elizabeth’s skills. As with most films from the 1940’s, this concludes with a very happy ending. Christmas in Connecticut is a must-see for anyone interested in warm-hearted classic holiday films and an absolute must-see for those of us living in the nutmeg state.
A Christmas Tale (Un conte de Noël)
Saturday, December 13, 2014 at 2:00 pm
A Christmas Tale (Un conte de Noël) is a 2008 French comedy by Arnaud Desplechin about a chaotic family holiday gathering, Un conte de Noël is an intense, messy, emotional, examination of one dysfunctional family’s attempt to navigate their lives and
an important Christmas together. Lots of cigarette smoking and the always superb and luminous Catherine Deneuve as the matriarch Junon. Un conte de Noël tugs at the heart strings in-between fits of laughter.
In French with English subtitles.
Register at the library’s website.
Joyeux Noël (Merry Christmas)
Saturday, December 6, 2014 at 2:00 pm
In honor of the 100th anniversary of the start of World War I, we present Joyeux Noël (Merry Christmas) a 2005 French film about the World War I Christmas truce of December 1914, depicted through the eyes of French, Scottish and German soldiers. Joyeux Noel was written and directed by Christian Carion and nominated for Best Foreign Language Film at the 78th Academy Awards. Daniel Brühl, Benno Fürmann, and Diane Kruger star in this heartwarming and truly international holiday event based on a
true WWI story.
In English, French, and German with English subtitles.
The latest Planet of the Ages movies has been released this week. Indiewire rates it the best of the franchise, yes even higher than the original Chuck Heston. From Indiewire,
1. “Dawn of the Planet of the Apes” (Matt Reeves, 2014)
Maybe the biggest surprise of “Rise of the Planet of the Apes,” a movie that played like a seemingly never-ending series of surprises, was the emotional connection formed between the audience and Caesar. So it’s not much of a surprise that almost all of the sequel, directed by “Let Me In” and “Cloverfield” filmmaker Matt Reeves, would hone in on that connection, resulting in easily the most emotionally complex (and, at times, scariest) entry in the entire franchise. Set ten years after the events of “Rise of the Planet of the Apes,” after the world has been ravaged by the killer virus seen in the first film (the outbreak dramatized in a beautiful, nearly wordless prologue), this film is set largely in the burgeoning ape community that has cropped up in the overgrown forests now surrounding San Francisco.
All Hail the Queen – Queen Angie that is. Angelina Jolie deliciously morphs into Sleeping Beauty’s Maleficent for Disney’s live action film available on Blu-ray and DVD at both branches. From Rotten Tomatoes,
“Maleficent” explores the untold story of Disney’s most iconic villain from the classic “Sleeping Beauty” and the elements of her betrayal that ultimately turn her pure heart to stone. Driven by revenge and a fierce desire to protect the moors over which she presides, Maleficent cruelly places an irrevocable curse upon the human king’s newborn infant Aurora. As the child grows, Aurora is caught in the middle of the seething conflict between the forest kingdom she has grown to love and the human kingdom that holds her legacy. Maleficent realizes that Aurora may hold the key to peace in the land and is forced to take drastic actions that will change both worlds forever.
Fans of Mad Men will want to catch the new indie The One I Love starring Elizabeth Moss who plays Peggy on the popular series. From Rotten Tomatoes,
The highly anticipated debut feature from acclaimed author Charlie McDowell, THE ONE I LOVE is an original tale that continues to showcase McDowell’s keen observations of human relationships with a distinct and comedic voice. THE ONE I LOVE, written by Justin Lader, was produced by Mel Eslyn and executive produced by Mark Duplass who stars opposite Elisabeth Moss. On the brink of separation, Ethan (Duplass) and Sophie (Moss) escape to a beautiful vacation house for a weekend getaway in an attempt to save their marriage. What begins as a romantic and fun retreat soon becomes surreal, when an unexpected discovery forces the two to examine themselves, their relationship, and their future.
A new film Begin Again from the director who brought us the music-infused movie that turned into the smash Broadway show Once. From Rotten Tomatoes,
The latest film from writer-director John Carnery (ONCE), BEGIN AGAIN is a soul-stirring comedy about what happens when lost souls meet and make beautiful music together. Gretta (Keira Knightley) and her long-time boyfriend Dave (Adam Levine) are college sweethearts and songwriting partners who decamp for New York when he lands a deal with a major label. But the trappings of his new-found fame soon tempt Dave to stray, and a reeling, lovelorn Gretta is left on her own. Her world takes a turn for the better when Dan (Mark Ruffalo), a disgraced record-label exec, stumbles upon her performing on an East Village stage and is immediately captivated by her raw talent. From this chance encounter emerges an enchanting portrait of a mutually transformative collaboration, set to the soundtrack of a summer in New York City.
Criterion remastered and reissued Federico Fellini’s classic 1960 film La dolce vita. From Criterion,
The biggest hit from the most popular Italian filmmaker of all time, La dolce vita rocketed Federico Fellini to international mainstream success—ironically, by offering a damning critique of the culture of stardom. A look at the darkness beneath the seductive lifestyles of Rome’s rich and glamorous, the film follows a notorious celebrity journalist (a sublimely cool Marcello Mastroianni) during a hectic week spent on the peripheries of the spotlight. This mordant picture was an incisive commentary on the deepening decadence of contemporary Europe, and it provided a prescient glimpse of just how gossip- and fame-obsessed our society would become.
With our star and fame obsessed American culture, it certainly will be fascinating to take a look back at how Fellini saw it over 50 years ago! And no one does pristine film restoration with attention to detail better than Criterion.
Víctor, a 17 year old wheelbarrow leader, dreams of becoming famous, often absorbed by the TV in the appliance store in the Municipal Market. He receives an unusual proposal, to carry 7 boxes of unknown content, in exchange for a torn half of a $ 100 bill. He will get the other half when he finishes the job. Víctor, who has never seen this much money, has no idea how much it really is. But he also knows well that his need is greater than his curiosity. With a borrowed cell phone, the contractor uses to tell him the way, Víctor embarks on the journey. Crossing the eight blocks of the market seemed easy but things get complicated along the way. There is something in those boxes that starts a high-speed wheelbarrow chase in the secret and gloomy corridors of the market. Without even realizing, Víctor and his pursuers will get involved in a crime of which they know nothing.
Find 7 Boxes in our library catalog.
In Spanish with English subtitles.
Jim Jarmusch dips into the vampire genre putting his own particular stamp on Only Lovers Left Alive with the help of Tom Hiddleston and Tilda Swinton as Adam and Eve, a pair of centuries old vampires. From Sony,
Set against the romantic desolation of Detroit and Tangier, an underground musician, deeply depressed by the direction of human activities, reunites with his resilient and enigmatic lover. Their love story has already endured several centuries at least, but their debauched idyll is soon disrupted by her wild and uncontrollable younger sister. Can these wise but fragile outsiders continue to survive as the modern world collapses around them?
David Ehrlich at The Guardian writes,
I’d happily argue Only Lovers Left Alive is Jarmusch’s best film, but it might be more helpful to say it’s his most fluent. The leads are Eve (Swinton) in Tangier, an ancient city forever on the cusp of rebirth, and Adam (Tom Hiddleston), in Detroit, contemporary America’s most famous icon of decay. Both are exotic in their own way. She Skypes him on an iPhone. He answers on a rotary relic that he’s rigged up through a tube television. They’re vampires, and they’re in love.