When Doris Miller meets John Fremont, her company’s hip new art director, sparks fly-at least for Doris. In the cluttered house she shared with her late mother, Doris mines the Internet for information on her one-and-only, guided by the 13-year-old granddaughter of her best pal Roz. When Doris begins showing up at John’s regular haunts, she wins over his Williamsburg friends. Her new life brings Doris a thrilling perspective, but also creates a rift between her and her longtime friends and family, who believe she’s making a fool of herself over a guy half her age. Eager for all the experiences she has missed out on, Doris throws caution to the wind and follows her heart for the very first time.
Easy Rider recently got remastered and released by Criterion. We didn’t own a copy so we added the newly minted classic to our collection. From Roger Ebert’s website,
But it’s hard to identify with the Fonda and Hopper characters. So Hopper and his co-writers Fonda and Terry Southern write in a brilliant character, Old George (played magnificently by Jack Nicholson). And when this alcoholic, tragic ACLU lawyer from a small Southern town enters the picture, suddenly that’s us there on the bike with Fonda. And the movie starts to work.
If you follow the story closely in “Easy Rider,” you find out it isn’t there. The rough-cut of the movie reportedly ran over three hours, and Hopper edited it to a reasonable length by throwing out the story details and keeping the rest. So the heroes are suspended in an invisible story, like falcons on an invisible current of air. You can’t see it, but it holds them up.
All of this divests a motorcycle movie of its weak point (the story) and develops its strong point (the role of the self-proclaimed rebel in a conformist society). It’s not just bike freaks who get in trouble when they challenge the establishment — it’s everybody, even Old George.
And yet, “Easy Rider” suggests, it’s not as simple as that. We almost forget that the Fonda and Hopper characters have also sold out.
Alfonso Cuarón directed and co-wrote this sexy art-house hit from Mexico. The funny and moving coming-of-age story centers on two immature teens who get an education in love when they take a sexy road trip with a liberated, unhappily married woman
Bill Condon’s new film, Mr. Holmestakes on the Sherlock story in an unusual way – Mr. Holmes is elderly, at the end of his career and trying desperately to solve one final mystery. Uber-actor Ian McKellan takes on the man of mystery. From Roadside Attractions,
MR HOLMES is a new twist on the world’s most famous detective. 1947, an aging Sherlock Holmes returns from a journey to Japan, where, in search of a rare plant with powerful restorative qualities, he has witnessed the devastation of nuclear warfare. Now, in his remote seaside farmhouse, Holmes faces the end of his days tending to his bees, with only the company of his housekeeper and her young son, Roger. Grappling with the diminishing powers of his mind, Holmes comes to rely upon the boy as he revisits the circumstances of the unsolved case that forced him into retirement, and searches for answers to the mysteries of life and love – before it’s too late.
Sandra (Cotillard) has just been released from the hospital to find that she no longer has a job. According to management, the only way Sandra can hope to regain her position at the factory is to convince her co-workers to sacrifice their much-needed yearly bonuses. Now, over the course of one weekend, Sandra must confront each co-worker individually in order to win a majority of their votes before time runs out. With TWO DAYS, ONE NIGHT, the Dardennes have turned a relevant social inquiry into a powerful statement on community solidarity, once again delivering a film that is simple on the surface but alive with both compassion and wisdom.
Winner of the 2015 Sundance Grand Jury Prize and the Audience Award, ME AND EARL AND THE DYING GIRL is the story of Greg Gaines (Thomas Mann), an awkward high school senior whose mom forces him to spend time with Rachel – a girl in his class (Olivia Cooke) with whom he hasn’t spoken to since kindergarten – who was just diagnosed with cancer.
Robin Williams final film has been released on DVD. Boulevardis a small indie filmed in Nashville, although the city is never named. Williams portrays a closeted gay man who has been married to a woman for his entire life. They have companionship and predictability if not passion. But Williams character Nolan feels like something is missing. One day he encounters a young hustler and pays him to only talk. Nolan obviously wants intimacy. The boy wants money. Williams plays Nolan with a delicate sadness that makes you wonder how much he was able to mask him own personal depression during the filming. Boulevard co-stars Kathy Bates as Nolan’s wife ironically named Joy and Bob Odenkirk as Nolan’s seize the day, mid-life crisis loving best friend Winston. Boulevard isn’t a big blockbuster film. It’s not going to be remembered as Robin’s best work. But it stays with you in a quiet way and ends on an upbeat note. Boulevard is a calm, reverent swan song to a gigantic talent.
Noah Boaumbach’s comedy While We’re Young stars Ben Stiller and Naomi Watts as Josh and Cornelia, a childless New York married couple in their mid-forties. As their other friends all start having children, the couple gravitates toward a young hipster couple named Jamie (Adam Driver) and Darby (Amanda Seyfried). He’s an aspiring documentary filmmaker, a vocation Josh already has. Soon the older couple begins enjoying the energy they feel haging out with the younger generation, but eventually Josh begins to suspect his new best friend might not be as straightforward and trustworthy as he thought. While We’re Young screened at the 2014 Toronto International Film Festival.
Before Claire Danes starred in the outstanding Homeland. Before Jared Leto won the Oscar last year for Dallas Buyers Club, there was My So-Called Life. The series debuted in 1994. It lasted only one season. 20 years later it’s considered a modern classic paving the way for more realistic portrayals of teenagers in television. From Wikipedia,
It was the first teen drama that didn’t feel like an after-school special. No one ever learned a very important lesson or uttered the phrase ‘I love you, Dad.’ Angela acted like a real 15-year-old, with all the crying jags and Buffalo Tom concerts that implies. What’s even more impressive is that anyone who watched the show back in the ’90s, when angst and Manic Panic felt totally of the moment, can now enjoy it on a very different level. Suddenly, Angela’s parents are relatable.