Oct 23

Throwback Thursday: Paul Newman

cool hand lukeLet’s hear it for local boy Paul Newman and his canon of outstanding films. Find a large selection of Paul’s greatest work in the library’s DVD collection including Sting, Absence of Malice, Cool Hand Luke, The Young Philadelphians, Harper, The Verdict, Butch Cassidy and the Sundance Kid, Cat on a Hot Tin Roof, Nobody’s Fool, and The Hustler.

From Biography.com,

Paul Newman was born on January 26, 1925, in Cleveland, Ohio. He turned to acting after getting kicked off the football team in college. He made his Broadway debut in 1953 and began doing television and films, eventually becoming known as one of the finest actors of his time. He created a food company, Newman’s Own, that donates all proceeds to charity. Newman died of cancer on September 26, 2008.

Paul Newman will be long remembered for his great films, his vibrant lifestyle and his extensive charitable works, and his relationship with Joanne Woodward will always be regarded as one of the most successful and enduring love stories in Hollywood history.

View our complete list of Paul Newman films in the library’s catalog.

Oct 21

La dolce vita (1960)

la dolce vitaCriterion remastered and reissued Federico Fellini’s classic 1960 film La dolce vita. From Criterion,

The biggest hit from the most popular Italian filmmaker of all time, La dolce vita rocketed Federico Fellini to international mainstream success—ironically, by offering a damning critique of the culture of stardom. A look at the darkness beneath the seductive lifestyles of Rome’s rich and glamorous, the film follows a notorious celebrity journalist (a sublimely cool Marcello Mastroianni) during a hectic week spent on the peripheries of the spotlight. This mordant picture was an incisive commentary on the deepening decadence of contemporary Europe, and it provided a prescient glimpse of just how gossip- and fame-obsessed our society would become.

With our star and fame obsessed American culture, it certainly will be fascinating to take a look back at how Fellini saw it over 50 years ago! And no one does pristine film restoration with attention to detail better than Criterion.

Find Criterion’s La dolce vita in our catalog.

Oct 02

Throwback Thursday: Imitation of Life (1959)

imitation of lifeIn honor of Netflix acquiring the entire Gilmore Girls television series this week, let’s take a look back at a classic mother-daughter film for Throwback Thursday. Douglas Sirk’s remake masterpiece, Imitation of Life captures the interracial friendship between two women and the awkward love/hate relationship between the women and their daughters. From IndieWire’s The Playlist,

Not enough handkerchiefs in the universe for this one—Douglas Sirk’s unbelievably manipulative and luscious “issues movie” is an extraordinary example of a film that so completely defines its genre (the “women’s picture”) that it practically transcends it. Of course Sirk has been thoroughly and rightly reclaimed in recent years as an absolute master of the form, (our Sirk Essentials can be found here) imbuing syrupy melodrama with honest depth of feeling, and clothing it all in such dazzling, skilful technicolor photography that his films become so much more than the maudlin, chocolate box confections they were initially dismissed as. And “Imitation of Life,” the director’s last Hollywood picture, is certainly one of his masterpieces, and fits our purposes here entirely, dealing with not one but two mother/daughter relationships as central themes, but using them to highlight gender and race issues in a remarkably fearless and, certainly at the time, provocative manner.

Find Sirk’s Imitation of Life in our library catalog.
For more diabolical mothers check out the original Carrie with Piper Laurie or John Waters’ Serial Mom with Kathleen Turner.

 

Aug 28

The Awful Truth (Throwback Thursday)

awful truthAre you a lover of Romantic Comedies? Did you know The Awful Truth starring Cary Grant and Irene Dunne is considered the very first Rom-Com? From Rotten Tomatoes,

Leo McCarey directed this classic screwball comedy in which Cary Grant and Irene Dunne play Jerry and Lucy Warriner, a couple whose marriage is starting to fall apart. Jerry informs Lucy that he’s taking a vacation alone in Florida; instead, he holes up with his buddies and plays poker for a week (while sitting under a sun lamp so he’ll have an appropriate tan). Lucy concludes that Jerry was never in Florida just as Jerry discovers that Lucy was spending her time with Armand Duvalle (Alex D’Arcy), a handsome voice teacher. Both Jerry and Lucy believe the other was unfaithful, so they agree to a trial divorce, with a bitter battle fought over custody of Mr. Smith, the dog (Lucy gets the dog, but Jerry has visitation rights). Determined to make Jerry jealous, Lucy continues keeping company with Armand while also dating Daniel Leeson (Ralph Bellamy), a wealthy oil man from Oklahoma. Convinced that turnabout is fair play, Jerry starts going out with Dixie Belle Lee (Joyce Compton), a brassy nightclub singer, as well as socialite Barbara Vance (Molly Lamont). However, Lucy has belatedly decided that she wants Jerry back, and she hatches a plan to win him back by making a spectacle of herself at a party. The Awful Truth was based on a play which had been filmed twice before, but McCarey gave his superb comic cast free reign to improvise and add new business, and the results were splendid; you haven’t lived until you’ve heard Irene Dunne attempt to sing “Home on the Range.” ~ Mark Deming, Rovi

If you’ve ever heard anyone say, “they just don’t make them like they used to,” check out The Awful Truth and watch the original screwball comic genius of Irene Dunne and Cary Grant - and be prepared to laugh a lot.

Find The Awful Truth in our library catalog.

Aug 13

Lauren Bacall: 1924 – 2014

“If you want me just whistle. You know how to whistle don’t you? Just put your lips together and blow.”
Lauren Bacall, The Complete Films of Humphrey Bogart   

Lauren_bacall_promo_photo

Lauren Bacall left us this week at the age of 89. Her career spanned a remarkable six decades. Film critic Leonard Maltin remembered Bacall on Indiewire’s blog,

Lauren Bacall was one of the last links to the golden age of Hollywood… yet she gracefully reinvented herself in later years, first on Broadway and then onscreen. She became a welcome presence as a character actress in such varied films as Murder on the Orient Express, The Shootist (with John Wayne), Lars von Trier’s Dogville, and Birth (with Nicole Kidman). She contributed a fine voice performance to the American version of Hayao Miyazaki’s animated feature Howl’s Moving Castle and earned an Oscar nomination playing Barbra Streisand’s mother in The Mirror Has Two Faces.

Check out our collection of Bacall DVDs in the library’s catalog… including Murder on the Orient Express, Dark Passage, Howl’s Moving Castle (voice), Birth, Dogville, and How to Marry a Millionaire.
Read Lauren’s autobiography, By Myself and Then Some from our library’s catalog.

Aug 04

Here Are 9 Great WWI Movies In Honor of the War’s 100th Anniversary (Indiewire)

strategic-command-world-war-i-the-great-war-1914-1918-patch_1

Indiewire commemorates the start of World War I last week with an article listing nine great WWI films from around the world.  We already have six of them in our catalog and have ordered the other three.  We anticipate this year to be filled with patrons wanting to dig deeper into “The Great War” through books and media here at the library. We have a book display on the first floor at the Main Library on World War I. Look for a history series on WWI at the Branch from Dr. Mona Garcia coming this Fall. Click on the titles below to find each of these films in our library catalog. From Indiewire,

1. “A Very Long Engagement” (dir. Jean-Pierre Jeunet, 2004)
For every soldier, there is a half-empty bed at home. This is the foundation of the lyrical French film “A Very Long Engagement,” starring Audrey Tautou as a country girl whose fiancé has left home for the war effort. Intimate in scope while thematically powerful, “A Very Long Engagement” is perhaps the pinnacle of the work of director of photography Bruno Delbonnel, who most recently shot “Inside Llewyn Davis.” His unique style is a step less quirky than his work in “Amelie,” but deliberate in a way that very much contributes to the progression of the story.

2. “All Quiet on the Western Front” (dir. Lewis Milestone,1930)
Based on the canonic novel by Erich Maria Remarque, this influential anti-war film chronicles the disillusionment of a group of young patriotic recruits amidst the horrific reality of combat. In many respects, the film was ahead of its time; the grisly imagery, honest performances, and unrelenting cinematography eviscerate romantic notions of war long before the protest films of the ’70s became a mainstay of war counterculture.

3. “Gallipoli” (dir. Peter Weir, 1981) (ON ORDER)
Often forgotten in the midst of Anglo-American self-importance are the Australians. They serve as the subject of Peter Weir’s epic account of the war in modern-day Turkey. Starring a young Mel Gibson and Marc Lee, “Gallipoli” is a coming-of-age war film which gently and progressively demonstrates the loss of innocence for Aussie soldiers at war. Heavy in themes of Australian identity such as larrikinism and the maturation of the nation as a global entity, “Gallipoli” sacrifices bits of historical accuracy to tell an unflinchingly humanistic story; it was well-received for it.

4. “Lawrence of Arabia” (dir. David Lean, 1962)
Like “Citizen Kane” before it, “Lawrence of Arabia” is about a reporter trying to understand the life of a momentous figure. But unlike that 1941 protagonist, T.E. Lawrence actually lived, a British officer in the Sinai and Palestine Campaigns in the First World War. With an inescapable sense of grandeur in every frame, “Lawrence of Arabia” takes the quest to uncover the internal motivations of its hero one step further still. “Who are you!?” he is shouted at by a local, and he seems to struggle for an answer, making this not simply a well-done biographical picture, but an investigation into one of the war’s most enigmatic figures.

5. “Legends of the Fall” (dir. Edward Zwick, 1994)
This stunningly shot portrait of rural American life over the first third of the 20th century not only showcases a young Brad Pitt’s talents as a character actor, but is also able to observe the full scope of The Great War, from dinner table debate to a poignant funeral. “Don’t talk at me like I’ve never seen a war,” says the family’s patriarch, played by Anthony Hopkins. The truth is, as his sons find out, he or the rest of the world has never seen a war quite like this one.

6. “Paths of Glory” (dir. Stanley Kubrick, 1957)
Not his first or last entry into the war film arena, “Paths of Glory” is Stanley Kubrick’s greatest achievement within the genre, inserting Kirk Douglas’s officer as well as the audience deep into the psychological and physical horrors of war. This anti-war effort is hailed as Kubrick’s first masterwork, directly preceding “Spartacus,” “Lolita” and “Dr. Strangelove.” It was a timely anti-war film for the Vietnam generation, and it immortalized Douglas as his generation’s premiere action star.

7. “The White Ribbon” (Das weiße Band, dir. Michael Haneke, 2009) (ON ORDER)
Michael Haneke’s stark black and white masterpiece investigates the incipience of evil by zeroing in on a small German village at the dawn of WWI. The village residents, armed with a self-righteous allegiance to societal and religious custom, perpetrate various crimes with a horrifying lack of empathy. The weak suffer at the hands of the strong as a drama of survival of the fittest plays out in nightmarish detail: incest, rape, murder, and gross negligence are among the obscenities the village residents witness, condone, and commit with utter nonchalance (and, at times, with sinister pleasure). With “The White Ribbon,” Haneke endeavors to explore a simple yet resonant question: What incites the human capacity for evil? The latent evil that permeates the “The White Ribbon” suggests that it’s inherent in humanity; the village is a hotbed of war mentality, presaging a not-too-far future in which good and evil will become indistinguishable.

8. “The Wind That Shakes the Barley” (dir. Ken Loach, 2007)
Ken Loach’s tragic story of two brothers torn apart by the virtues of war is the highest-grossing Irish independent film ever made. The plot focuses on the Irish War of Independence and the Irish Civil War — conflicts that derived from WWI — as it illuminates the human drama that engorges war. The lush Irish countryside pitted against the grim reality of the choices made in wartime make for a heart-wrenching portrait of lives literally and figuratively ripped apart at the seams by conflict.

9. “Wings” (dir. William A. Wellman, 1927) (ON ORDER)
“Wings” is the most famous silent film about WWI ever made. In a time when Hollywood was generally unconcerned with realism, it’s interesting that Paramount Pictures hired director William A. Wellman because he was the only established director who had WWI combat pilot experience. It was a decision well made: the film is revered for its realistic and technically sophisticated air combat sequences. “Wings” went on to win the first-ever Academy Award for Best Picture. It upended cinematic and social conventions by not only being the only silent film to win an Academy Award that year, but also for being one of the first films to feature nudity and a scene of two men kissing.

Read the article at Indiewire.

 

Jul 31

Throwback Thursday: In the Heat of the Night (1967)

in the heat of the nightReady for a suspenseful, murder mystery, police crime drama? How about kicking it up a notch where it’s 1967 in the deep South and the real drama centers not around the murder itself, but whether the African-American police detective from Philadelphia will be killed by local bigots? Sidney Poitier and Rod Steiger star in Norman Jewison’s In the Heat of the Night based on the novel by John Ball. Heat reminds us of the racial tensions and violence which were a constant threat to most during the 1960′s and unfortunatelystill haven’t disappeared. Edge of your seat suspense with outstanding performances from Poitier and Steiger. In the Heat of the Night is a must-see, classic American film.

Find In the Heat of the Night in our library’s catalog.

Jun 12

Throwback Thursday: The Remains of the Day

Are you going through Downton Abbey withdrawal? Consider quenching your thirst for gorgeous British costume drama with a trip down memory lane – Merchant Ivory’s The Remains of the Day.  Before Carson and Mrs. Hughes, 1993 introduced us to Anthony Hopkins’ Stevens and Emma Thompson’s Miss Kenton.

remains of the daySynopsis from Rotten Tomatoes,

Filmed with the usual meticulous attention to period and detail of films from Ismail Merchant and James Ivory, The Remains of the Day is based on a novel by Kazuo Ishiguro. Anthony Hopkins plays Stevens, the “perfect” butler to a prosperous British household of the 1930s. He is so unswervingly devoted to serving his master, a well-meaning but callow British lord (James Fox), that he shuts himself off from all emotions and familial relationships. New housekeeper Miss Kenton (Emma Thompson) tries to warm him up and awaken his humanity.

New York Times film critic Vincent Canby’s original 1993 review tells us all we need to know,

Taking this rather arcane story, adapted from Kazuo Ishiguro’s award-winning novel, Ismail Merchant, the producer; James Ivory, the director, and Ruth Prawer Jhabvala, the writer, have made “The Remains of the Day,” a spellbinding new tragi-comedy of high and most entertaining order. Here is an exquisite work that could become a quite unlikely smash.

In the way that “The Remains of the Day” looks grand without being overdressed, it is full of feeling without being sentimental. Here’s a film for adults. It’s also about time to recognize that Mr. Ivory is one of our finest directors, something that critics tend to overlook because most of his films have been literary adaptations. It’s the film, not the source material, that counts. “The Remains of the Day” has its own, securely original cinematic life.

You really owe it to yourself to embrace the subtly and beauty of one of Merchant Ivory’s masterpieces.

Find The Remains of the Day in our library catalog.
We also have the complete Upstairs Downstairs for more British class costume drama fun.

Jun 03

Happy Pride: June 2014

pride flag

June is Gay Pride Month around the country celebrating lesbian, gay, bisexual, and transgender (LGBT) equality. Locally Norwalk has a wonderful event Pride in the Park sponsored by the Triangle Community Center Saturday, June 14, 2014 from 12-5pm in Mathews Park. 75 minutes away by Metro North come celebrate where it all began 45 years ago in 1969 at the Stonewall Inn, Greenwich Village, New York City for Heritage of Pride’s March on Sunday, June 29, 2014.

Great LGBT movies come in all shapes and sizes. We decided to highlight one for each letter of the acronym:

L: The Kids Are All Right – Lisa Cholodenko’s movie about two lesbian Moms raising teenage kids broke all kinds of barriers and box office records.  Annette Benning and Julianne Moore star.

G: I Do – David W. Ross’s indie script digs deep into the issues of transnational same-sex relationships and immigration. Glen Gaylord directs this heart-felt, feel good love story.

B: Kissing Jessica Stein (2002) – A woman searching for the perfect man instead discovers the perfect woman in this romantic comedy written by Heather Juergensen, Jennifer Westfeldt and directed by Charles Herman-Wurmfeld.

T: Boys Don’t Cry (1999) – Hillary Swank won the Oscar. Kimberly Peirce directs. Based on the true story of transgendered youth Brandon Teena who convinces himself he can survive amongst bigoted, small-minded people after transitioning from female to male.

And if you’d like to do some reading may we suggest the seminal work on LGBT characters in film, Vito Russo’s The Celluloid Closet available in the upper stacks of the main library.

 

May 22

Throwback Thursday: Klute

 

gordon-willis-klute

Award-winning cinematographer Gordon Willis passed away this week leaving a canon of outstanding films. His signature dark shots can be seen in such classics as The Godfather, Annie Hall, Manhattan (remember the Planetarium scene?), and All the President’s Men.  From NPR,

He shot a total of eight films for Woody Allen and was dubbed the “Prince of Darkness” by fellow cinematographer Conrad Hall for his use of shadows.

But today, let’s focus on the brilliant Klute which won Jane Fonda an Oscar for Best Actress in 1971. Jane Fonda and Donald Sutherland star in this 1971 suspense drama about a high-class call girl in New York City who gets reluctantly dragged into a missing person’s investigation. An outstanding plot with lots of interesting choices like the taped phone calls being repeated throughout the film and Jane’s confessions to her therapist.  Incredible outdoor shots of NYC in the early 70′s.  This is a classic for sure.  Klute is a top-notch thriller!

Find Klute in our library catalog.