Nov 10

Lacombe, Lucien

lacombe lucienLouise Malle’s 1974 film Lacombe, Lucien on the French Resistance during World War II gets the Criterion treatment. From Criterion,

One of the first French films to address the issue of collaboration during the German occupation, Louis Malle’s brave and controversial Lacombe, Lucien traces a young peasant’s journey from potential Resistance member to Gestapo recruit. At once the story of a nation and one troubled boy, the film is a disquieting portrait of lost innocence and guilt.

Find Lacombe, Lucien on DVD in the library catalog.
In French with English subtitles.

 

Aug 04

Here Are 9 Great WWI Movies In Honor of the War’s 100th Anniversary (Indiewire)

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Indiewire commemorates the start of World War I last week with an article listing nine great WWI films from around the world.  We already have six of them in our catalog and have ordered the other three.  We anticipate this year to be filled with patrons wanting to dig deeper into “The Great War” through books and media here at the library. We have a book display on the first floor at the Main Library on World War I. Look for a history series on WWI at the Branch from Dr. Mona Garcia coming this Fall. Click on the titles below to find each of these films in our library catalog. From Indiewire,

1. “A Very Long Engagement” (dir. Jean-Pierre Jeunet, 2004)
For every soldier, there is a half-empty bed at home. This is the foundation of the lyrical French film “A Very Long Engagement,” starring Audrey Tautou as a country girl whose fiancé has left home for the war effort. Intimate in scope while thematically powerful, “A Very Long Engagement” is perhaps the pinnacle of the work of director of photography Bruno Delbonnel, who most recently shot “Inside Llewyn Davis.” His unique style is a step less quirky than his work in “Amelie,” but deliberate in a way that very much contributes to the progression of the story.

2. “All Quiet on the Western Front” (dir. Lewis Milestone,1930)
Based on the canonic novel by Erich Maria Remarque, this influential anti-war film chronicles the disillusionment of a group of young patriotic recruits amidst the horrific reality of combat. In many respects, the film was ahead of its time; the grisly imagery, honest performances, and unrelenting cinematography eviscerate romantic notions of war long before the protest films of the ’70s became a mainstay of war counterculture.

3. “Gallipoli” (dir. Peter Weir, 1981) (ON ORDER)
Often forgotten in the midst of Anglo-American self-importance are the Australians. They serve as the subject of Peter Weir’s epic account of the war in modern-day Turkey. Starring a young Mel Gibson and Marc Lee, “Gallipoli” is a coming-of-age war film which gently and progressively demonstrates the loss of innocence for Aussie soldiers at war. Heavy in themes of Australian identity such as larrikinism and the maturation of the nation as a global entity, “Gallipoli” sacrifices bits of historical accuracy to tell an unflinchingly humanistic story; it was well-received for it.

4. “Lawrence of Arabia” (dir. David Lean, 1962)
Like “Citizen Kane” before it, “Lawrence of Arabia” is about a reporter trying to understand the life of a momentous figure. But unlike that 1941 protagonist, T.E. Lawrence actually lived, a British officer in the Sinai and Palestine Campaigns in the First World War. With an inescapable sense of grandeur in every frame, “Lawrence of Arabia” takes the quest to uncover the internal motivations of its hero one step further still. “Who are you!?” he is shouted at by a local, and he seems to struggle for an answer, making this not simply a well-done biographical picture, but an investigation into one of the war’s most enigmatic figures.

5. “Legends of the Fall” (dir. Edward Zwick, 1994)
This stunningly shot portrait of rural American life over the first third of the 20th century not only showcases a young Brad Pitt’s talents as a character actor, but is also able to observe the full scope of The Great War, from dinner table debate to a poignant funeral. “Don’t talk at me like I’ve never seen a war,” says the family’s patriarch, played by Anthony Hopkins. The truth is, as his sons find out, he or the rest of the world has never seen a war quite like this one.

6. “Paths of Glory” (dir. Stanley Kubrick, 1957)
Not his first or last entry into the war film arena, “Paths of Glory” is Stanley Kubrick’s greatest achievement within the genre, inserting Kirk Douglas’s officer as well as the audience deep into the psychological and physical horrors of war. This anti-war effort is hailed as Kubrick’s first masterwork, directly preceding “Spartacus,” “Lolita” and “Dr. Strangelove.” It was a timely anti-war film for the Vietnam generation, and it immortalized Douglas as his generation’s premiere action star.

7. “The White Ribbon” (Das weiße Band, dir. Michael Haneke, 2009) (ON ORDER)
Michael Haneke’s stark black and white masterpiece investigates the incipience of evil by zeroing in on a small German village at the dawn of WWI. The village residents, armed with a self-righteous allegiance to societal and religious custom, perpetrate various crimes with a horrifying lack of empathy. The weak suffer at the hands of the strong as a drama of survival of the fittest plays out in nightmarish detail: incest, rape, murder, and gross negligence are among the obscenities the village residents witness, condone, and commit with utter nonchalance (and, at times, with sinister pleasure). With “The White Ribbon,” Haneke endeavors to explore a simple yet resonant question: What incites the human capacity for evil? The latent evil that permeates the “The White Ribbon” suggests that it’s inherent in humanity; the village is a hotbed of war mentality, presaging a not-too-far future in which good and evil will become indistinguishable.

8. “The Wind That Shakes the Barley” (dir. Ken Loach, 2007)
Ken Loach’s tragic story of two brothers torn apart by the virtues of war is the highest-grossing Irish independent film ever made. The plot focuses on the Irish War of Independence and the Irish Civil War — conflicts that derived from WWI — as it illuminates the human drama that engorges war. The lush Irish countryside pitted against the grim reality of the choices made in wartime make for a heart-wrenching portrait of lives literally and figuratively ripped apart at the seams by conflict.

9. “Wings” (dir. William A. Wellman, 1927) (ON ORDER)
“Wings” is the most famous silent film about WWI ever made. In a time when Hollywood was generally unconcerned with realism, it’s interesting that Paramount Pictures hired director William A. Wellman because he was the only established director who had WWI combat pilot experience. It was a decision well made: the film is revered for its realistic and technically sophisticated air combat sequences. “Wings” went on to win the first-ever Academy Award for Best Picture. It upended cinematic and social conventions by not only being the only silent film to win an Academy Award that year, but also for being one of the first films to feature nudity and a scene of two men kissing.

Read the article at Indiewire.

 

Jul 03

The Unknown Known

unknown knownIconic documentary filmmaker Errol Morris (Fog of War, The Thin Blue Line) tackles a controversial subject once again in his latest film, The Unknown Known – Donald Rumsfeld, former United States Secretary of Defense who discusses his career in Washington D.C. from his days as a congressman in the early 1960s to planning the invasion of Iraq in 2003.

Find The Unknown Known in our library catalog.

Mar 21

The Book Thief

book thieffrom page to screen,

Based on the beloved international bestselling book, The Book Thief tells the story of an extraordinary, spirited young girl sent to live with a foster family in WWII Germany. Intrigued by the only book she brought with her, she begins collecting books as she finds them. With the help of her new parents and a secret guest under the stairs, she learns to read and creates a magical world that inspires them all.

- Synopsis from Rotten Tomatoes.

Find the DVD of The Book Thief in our catalog.

Mar 14

Classic films on Blu-ray

We’ve added a number of classic films to our growing Blu-ray collection such as,

Panic in the Streets (Elia Kazan)
Ben-Hur (William Wyler)
Gigi (Vincent Minnelli)
North By Northwest (Alfred Hitchcock)
Mrs. Miniver (William Wyler)
Maltese Falcon (John Huston)
Grand Hotel (Edmund Goulding)
Mutiny on the Bounty (1962 – Lewis Milestone/Carol Reed)
Casablanca (Michael Curtiz)
Streetcar Named Desire (Elia Kazan)
An American in Paris (Vincente Minnelli)
Voyage to the Bottom of the Sea (Irwin Allen)

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Feb 13

Throwback Thursday: The Best Years of Our Lives

best years of our livesLibrary staff member Barbara Slack takes us back to 1946 with one of the most outstanding classic films of all time,

In my opinion, The Best Years of Our Lives is one of the best movies ever made. It may even be number one on my top ten list. I saw it for the first time when I was in college, long before the large flat screens. In fact, I think that about eight of us watched this film on a TV about a foot wide. Even on that small screen, the movie hit me like a ton of bricks.

If I had to use one word to describe the movie it would be poignant — incredibly moving without being sentimental. There is an amazing realism to the movie, every scene rings true. The scene where the parents speak with their daughter late at night about their marriage, is one of the most accurate and affecting scenes I have ever seen in any movie. When I watch it, I almost feel as if I am in that room.

This movie was made in 1946 and is often summarized as soldiers returning home from the war to civilian life. If that was all I knew about this movie I would probably flip right by it. Although it is about three soldiers who meet on a flight home, it is also a movie that profoundly touches on the subjects of love, family and friendship in a way that makes it timeless. It touches on socially sensitive subjects including post traumatic stress and the complexity of relationships in a way you wouldn’t expect for the time period.

The casting of the movie is perfect — led by stars like Fredric March, Myrna Loy, Teresa Wright, Virginia Mayo and Dana  Andrews. But even minor characters in this movie are crucial to the film. It is the kind of film you could see many times, yet find additional nuances with each watching. If you are an old movie buff and haven’t seen this film, you need to see it as soon as possible. It will rock your world. And if you aren’t an old movie buff, this is one of the black and white movies that may change your opinion about classic films.

Find The Best Years of Our Lives in the library catalog.
Thanks Barbara!