“Guess Who’s Coming to Dinner” meets “The Stepford Wives” in “Get Out,” in which a white girl brings her black boyfriend home to meet her parents, whose superficially warm welcome masks an unthinkably dark secret. Blending race-savvy satire with horror to especially potent effect, this bombshell social critique from first-time director Jordan Peele proves positively fearless — which is not at all the same thing as scareless. In fact, from the steady joy-buzzer thrills to its terrifying notion of a new way that white people have found to perpetuate the peculiar institution of slavery, “Get Out” delivers plenty to frighten and enrage audiences. But it’s the fact that Peele doesn’t pull a single one of his punches that makes his Blumhouse-backed debut a must-see event.
Jim Jarmusch dips into the vampire genre putting his own particular stamp on Only Lovers Left Alive with the help of Tom Hiddleston and Tilda Swinton as Adam and Eve, a pair of centuries old vampires. From Sony,
Set against the romantic desolation of Detroit and Tangier, an underground musician, deeply depressed by the direction of human activities, reunites with his resilient and enigmatic lover. Their love story has already endured several centuries at least, but their debauched idyll is soon disrupted by her wild and uncontrollable younger sister. Can these wise but fragile outsiders continue to survive as the modern world collapses around them?
David Ehrlich at The Guardian writes,
I’d happily argue Only Lovers Left Alive is Jarmusch’s best film, but it might be more helpful to say it’s his most fluent. The leads are Eve (Swinton) in Tangier, an ancient city forever on the cusp of rebirth, and Adam (Tom Hiddleston), in Detroit, contemporary America’s most famous icon of decay. Both are exotic in their own way. She Skypes him on an iPhone. He answers on a rotary relic that he’s rigged up through a tube television. They’re vampires, and they’re in love.
HBO’s sassy, sexy and gory True Blood returns for its final season this Sunday on HBO. For those of you out there who call yourselves Trubbies (True Blood fans), I have a little “degree of separation” treat for you:
1) You are a patron of The Fairfield Public Library.
2) I work at The Fairfield Public Library and write for this blog.
3) I have two good friends in New York City.
4) They are good friends with Audrey Fisher, the costume designer for True Blood.
That makes you my friend three degrees of separation from your favorite cast or crew member of True Blood. Pretty cool, huh? If you still need to catch up on last season, Season 6 just got released on DVD and we have it at both locations. Or if you’re new to the screen adaptation of the very popular Sookie Stackhouse novels, start with Season 1 of Alan Ball’s hilariously morbid, sexy vampire television series True Blood.
Check out all the seasons of True Blood in our library catalog.
Read the Sookie Stackhouse novels by Charlaine Harris which were adapted to become True Blood.
Or whip up some recipes from the True Blood inspired cookbook, True Blood: Eats, Drinks, and Bites from Bon Temps by Karen Sommer Shalett, Marcelle Bienvenu, Alan Ball, and Gianna Sobol.
Perhaps no other director in the history of cinema captured the hearts and scared the wits out of movie goers more than Alfred Hitchcock. Beginning with his first British film in 1925 and continuing through an illustrious career including Shadow of a Doubt, Suspicion, Spellbound, Notorious, Rope, Strangers on a Train, Dial M for Murder, Rear Window, To Catch a Thief, The Trouble with Harry, Vertigo, North by Northwest, Psycho, The Birds, and Marnie, film goers marveled at his expertise for nearly a century. In total Hitchcock directed 58 films spanning most of the 20th Century through his death in 1980. To this day, no one can match the suspense of Hitch nor can they elicit the fright of an audience simply by implying rather than showing the terror or gore. Alfred Hitchcock was one of a kind and his films really are timeless classics.
YA Librarian Nicole Scherer couldn’t wait to tell you about her favorite new television obsession,
I know, I know…after four books and four movies (some of which were not very good) you are done with Hannibal Lecter. Maybe that’s why you missed the amazing first season of Hannibal on NBC. Take it from this horror-phobic librarian: it’s not so much scary as it is chilling. It takes a different approach than you might think: The show is set long before the famous cannibal is behind bars. Instead, its attention is on Will Graham, a criminal profiler with the gift (or curse) of perfect empathy. He can read a crime scene and practically see through the killer’s eyes. In order to cope with the intensity of his work, he seeks out the help of a certain psychiatrist, who happens to be moonlighting as a serial killer. This presents a whole new angle on the familiar story: We get to see Hannibal in practice, not as a prisoner or fugitive. Anchored by sublime performances from Hugh Dancy and Mads Mikkelsen, this is one of the most visually striking shows on TV. And it’s not too late to catch up on the story before Season 2 begins at the end of February – you can borrow Season 1 from the library!
Find Hannibal in our catalog.