Not far from the ancient Malian city of Timbuktu, now ruled by the religious fundamentalists, proud cattle herder Kidane (Ibrahim Ahmed aka Pino) lives peacefully in the dunes with his wife Satima (Toulou Kiki), his daughter Toya (Layla Walet Mohamed), and Issan (Mehdi Ag Mohamed), their twelve-year-old shepherd. In town, the people suffer, powerless, from the regime of terror imposed by the Jihadists determined to control their faith. Music, laughter, cigarettes, even soccer have been banned. The women have become shadows but resist with dignity. Every day, the new improvised courts issue tragic and absurd sentences. Kidane and his family are being spared the chaos that prevails in Timbuktu. But their destiny changes abruptly in this stunningly rendered film from a master of world cinema.
Taking place largely over the course of one tense night, Carol Reed’s psychological noir, set in an unnamed Belfast, stars James Mason as a revolutionary ex-con leading a robbery that goes horribly wrong. Injured and hunted by the police, he seeks refuge throughout the city, while the woman he loves (Kathleen Ryan) searches for him among the shadows. Reed and cinematographer Robert Krasker (who would collaborate again on The Third Man) create images of stunning depth for this fierce, spiritual depiction of a man’s ultimate confrontation with himself.
A historical drama for a modern audience, Wolf Hall tells the story of Thomas Cromwell, played by Mark Rylance (Twelfth Night)—a blacksmith’s son who rises from the ashes of personal disaster, and deftly picks his way through a court where ‘man is wolf to man.’ Damian Lewis (Homeland) is King Henry VIII, haunted by his brother’s premature death and obsessed with protecting the Tudor dynasty by securing his succession with a male heir to the throne. The cast also includes Claire Foy (Little Dorrit) as the future queen Anne Boleyn.
Told from Cromwell’s perspective, Wolf Hall follows the complex machinations and back room dealings of this accomplished power broker who must serve king and country while dealing with deadly political intrigue, Henry VIII’s tempestuous relationship with Anne Boleyn, and the religious upheavals of the Protestant reformation.
Find Wolf Hall in our library catalog.
Join us for two library program events in June, The World of Wolf Hall: Two Women, One King with our resident historian, Dr. Mona Garcia:
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We are nearing the end of the DVD release dates for Oscar winners. Still Alice was released last week. American Sniper – the final big film gets released on Tuesday, May 19th. Julianne Moore won the coveted Best Actress award for her portrayal of Alice Howland, a linguistics professor who is diagnosed with a rare form of Alzheimer’s at age 50. Based on the novel by Lisa Genova, Still Alice is Moore’s tour de force. She is reflective, nuanced, and brave as we watch her mind and world diminish. Alec Baldwin and Kristin Stewart play Moore’s husband and youngest child. Stewart in particular holds her own beautifully next to a powerhouse Moore. A beautiful, tragic film that will linger with you for days.
Argentine cinema began exporting some remarkable films in the 1970’s starting with 1974’s The Truce and continuing over the next 40 years including the 1985 Oscar winning film The Official Story, nominated film Son of the Bride, second winner The Secret in Their Eyes, and last year’s nominated Wild Tales. In 2000, Argentina sent us the delectable con artist film Nine Queens. From Rotten Tomatoes,
Early one morning Juan is pulling a bill-switching scheme in an all-night deli when Marcos, an apparently innocent bystander, pretends to whisk him off to the police. But Marcos is a con artist, just helping out a new recruit, and he enlists Juan in a plot that he claims will set them up for early retirement. Juan is skeptical at first, but agrees to work with Marcos after he impresses him with a few sophisticated cons. A once-in-a-lifetime scheme then seemingly falls in their laps–an old time con man enlists Juan and Marcos to sell a forged set of extremely valuable rare stamps–The Nine Queens. The tricky negotiations that ensue bring into the picture a cast of suspicious characters including Marcos’ beautiful sister Valeria, their innocent younger brother, Frederico who idolizes Marcus–as well as a slew of thieves, con men and pickpockets. As the action moves from humble barrios to luxury hotels, it soon appears that the city itself is part of an elaborate plot.
Rosewater is based on The New York Times best-selling memoir “Then They Came for Me: A Family’s Story of Love, Captivity, and Survival,” written by Maziar Bahari. The film marks the directorial debut of “The Daily Show” host Jon Stewart, and stars Gael García Bernal. Rosewater follows the Tehran-born Bahari, a broadcast journalist with Canadian citizenship. In June 2009, Bahari returned to Iran to interview Mir-Hossein Mousavi, who was the prime challenger to president Mahmoud Ahmadinejad. As Mousavi’s supporters rose up to protest Ahmadinejad’s victory declaration hours before the polls closed, Bahari endured personal risk by sending footage of the street riots to the BBC. Bahari was arrested by police, led by a man identifying himself only as “Rosewater,” who tortured and interrogated him over the next 118 days. With Bahari’s wife leading an international campaign to have her husband freed, and Western media outlets keeping the story alive, Iranian authorities released Bahari on $300,000 bail and the promise he would act as a spy for the government.
Before Claire Danes starred in the outstanding Homeland. Before Jared Leto won the Oscar last year for Dallas Buyers Club, there was My So-Called Life. The series debuted in 1994. It lasted only one season. 20 years later it’s considered a modern classic paving the way for more realistic portrayals of teenagers in television. From Wikipedia,
It was the first teen drama that didn’t feel like an after-school special. No one ever learned a very important lesson or uttered the phrase ‘I love you, Dad.’ Angela acted like a real 15-year-old, with all the crying jags and Buffalo Tom concerts that implies. What’s even more impressive is that anyone who watched the show back in the ’90s, when angst and Manic Panic felt totally of the moment, can now enjoy it on a very different level. Suddenly, Angela’s parents are relatable.
The Hunger Games continues its franchise with the first part of the final book in the trilogy, Mockingjay. From Lionsgate,
The worldwide phenomenon of The Hunger Games continues to set the world on fire with The Hunger Games: Mockingjay – Part 1, which finds Katniss Everdeen (Jennifer Lawrence) in District 13 after she literally shatters the games forever. Under the leadership of President Coin (Julianne Moore) and the advice of her trusted friends, Katniss spreads her wings as she fights to save Peeta (Josh Hutcherson) and a nation moved by her courage. The Hunger Games: Mockingjay – Part 1 is directed by Francis Lawrence from a screenplay by Danny Strong and Peter Craig and produced by Nina Jacobson’s Color Force in tandem with producer Jon Kilik. The novel on which the film is based is the third in a trilogy written by Suzanne Collins that has over 65 million copies in print in the U.S. alone.
Foxcatcher may not have won any Oscars, but it garnered five nominations as well as snagging an Independent Spirit Award, a Gotham Award, and a whole lot of critic and audience praise this year. From Sony,
FOXCATCHER is a psychological drama directed by Academy Award nominee Bennett Miller (MONEYBALL) and starring Golden Globe winner Steve Carell, Channing Tatum, Academy Award nominee Mark Ruffalo, Academy Award winner Vanessa Redgrave and Sienna Miller. The film was written by E. Max Frye and Academy Award nominee Dan Futterman. FOXCATCHER tells the story of Olympic Gold Medal-winning wrestler Mark Schultz (Tatum), who sees a way out from the shadow of his more celebrated wrestling brother Dave (Ruffalo) and a life of poverty when he is summoned by eccentric multi-millionaire John du Pont (Carell) to move onto his estate and train for the 1988 Seoul Olympics. Desperate to gain the respect of his disapproving mother, du Pont begins “coaching” a world-class athletic team and, in the process, lures Mark into dangerous habits, breaks his confidence and drives him into a self-destructive spiral. Based on actual events, FOXCATCHER is a gripping and profoundly American story of fragile men who pinned their hopes for love and redemption on a desperate obsession for greatness that was to end in tragedy.