from Roger Ebert’s website,
Cinema can be one of the most empathetic of arts. When done well, its immediacy, its sense of experiencing another life (fictional or not) can bring about an expansion of understanding, an overwhelming telescoping of consciousness. “Camille Claudel 1915″, the latest by French director Bruno Dumont, is that kind of cinema. It tells the story of three days in the life of Camille Claudel, gifted sculptor and one-time protege and lover of Auguste Rodin. Claudel was committed to an asylum in 1913 by her brother, poet/diplomat Paul Claudel, following the death of their father (a man who had always been in her corner). Dumont uses only Claudel’s medical records and the letters that Claudel and her brother wrote to one another, as the material for his script. The result is a story pared down to a bone-white gleam, a grim portrait of monotony and silence broken by unrelieved despair, and an almost suffocating sense of claustrophobia and entrapment. It’s a harrowing film, made even more so by the raw performance of Juliette Binoche as Camille Claudel. By the end, you are left with a feeling of helplessness, rage, and a kind of abstracted bafflement. How did this happen? You want to intervene (the key sign of a classic tragedy). All credit to Dumont and Binoche here, who approach their difficult subject without blinking.
Read the full review.
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Director Stephen Frears’ Philomena starring the incomparable Judi Dench finally gets released on DVD today! From Rotten Tomatoes which by the way gave Philomena a 92% rating,
Based on the 2009 investigative book by BBC correspondent Martin Sixsmith, The Lost Child of Philomena Lee, PHILOMENA focuses on the efforts of Philomena Lee, mother to a boy conceived out of wedlock – something her Irish-Catholic community didn’t have the highest opinion of – and given away for adoption in the United States. In following church doctrine, she was forced to sign a contract that wouldn’t allow for any sort of inquiry into the son’s whereabouts. After starting a family years later in England and, for the most part, moving on with her life, Lee meets Sixsmith, a BBC reporter with whom she decides to discover her long-lost son.
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Great new indie film just out on DVD, Kill Your Darlings focuses on the Beat poets as they meet in and around Columbia University in the early 1940’s. The film focuses on Lucien Carr who introduced William S. Burroughs, Allen Ginsberg and Jack Kerouac to each other and eventually the world. Carr was arrested in 1944 for the killing of David Kammerer. Kill Your Darlings takes place during the time right before the killing. Daniel Radcliffe permanently sheds his Harry Potter persona as a young and impressionable Ginsberg and Ben Foster has his best role to date as a perfect embodiment of Burroughs. Kill Your Darlings is fun, entertaining and serves a glimpse into the early lives of the Beats.
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from the film’s site,
Based on a true story and winner of both the Grand Jury Prize for dramatic feature and the Audience Award for U.S. dramatic film at the 2013 Sundance Film Festival, director Ryan Coogler’s FRUITVALE STATION follows the true story of Oscar Grant (Michael B. Jordan), a 22-year-old Bay Area resident who wakes up on the morning of December 31, 2008 and feels something in the air. Not sure what it is, he takes it as a sign to get a head start on his resolutions: being better son to his mother (Octavia Spencer), whose birthday falls on New Year’s Eve, being a better partner to his girlfriend Sophina (Melonie Diaz), who he hasn’t been completely honest with as of late, and being a better father to Tatiana (Ariana Neal), their beautiful four year-old daughter.
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