What else could we possibly feature as a Throwback Thursday film the week before Christmas other than the warm and wonderful Barbara Stanwyck classic, Christmas in Connecticut. Stanwyck stars with Dennis Morgan in a tale of mistaken identity. Stanwyck’s character Elizabeth Lane is a Martha Stewart type journalist who poses as a married suburban woman when in fact she is single and lives in NYC. An invite for a war hero (Morgan’s handsome Jefferson Jones) from the publisher to her Connecticut home turns into madcap bedlam as Morgan falls for the “married” woman. Not to be missed is the supporting performance from S.Z. Sakall as the wacky Uncle Felix who is the real mastermind behind Elizabeth’s skills. As with most films from the 1940’s, this concludes with a very happy ending. Christmas in Connecticut is a must-see for anyone interested in warm-hearted classic holiday films and an absolute must-see for those of us living in the nutmeg state.
Looking for a new romantic comedy? Hard to believe Harry Potter star Daniel Radcliffe is now old enough for this genre, but he is. Starring along with Zoe Kazan the pair have great on-screen chemistry in What If. From CBS Films,
WHAT IF is the story of medical school dropout Wallace (Daniel Radcliffe), who’s been repeatedly burned by bad relationships. So while everyone around him, including his roommate Allan (Adam Driver) seems to be finding the perfect partner (Mackenzie Davis), Wallace decides to put his love life on hold. It is then that he meets Chantry (Zoe Kazan) an animator who lives with her longtime boyfriend Ben (Rafe Spall). Wallace and Chantry form an instant connection, striking up a close friendship. Still, there is no denying the chemistry between them, leading the pair to wonder, what if the love of your life is actually your best friend? The ensemble romantic comedy costars Megan Park and Oona Chaplin.
Fans of Mad Men will want to catch the new indie The One I Love starring Elizabeth Moss who plays Peggy on the popular series. From Rotten Tomatoes,
The highly anticipated debut feature from acclaimed author Charlie McDowell, THE ONE I LOVE is an original tale that continues to showcase McDowell’s keen observations of human relationships with a distinct and comedic voice. THE ONE I LOVE, written by Justin Lader, was produced by Mel Eslyn and executive produced by Mark Duplass who stars opposite Elisabeth Moss. On the brink of separation, Ethan (Duplass) and Sophie (Moss) escape to a beautiful vacation house for a weekend getaway in an attempt to save their marriage. What begins as a romantic and fun retreat soon becomes surreal, when an unexpected discovery forces the two to examine themselves, their relationship, and their future.
A new film Begin Again from the director who brought us the music-infused movie that turned into the smash Broadway show Once. From Rotten Tomatoes,
The latest film from writer-director John Carnery (ONCE), BEGIN AGAIN is a soul-stirring comedy about what happens when lost souls meet and make beautiful music together. Gretta (Keira Knightley) and her long-time boyfriend Dave (Adam Levine) are college sweethearts and songwriting partners who decamp for New York when he lands a deal with a major label. But the trappings of his new-found fame soon tempt Dave to stray, and a reeling, lovelorn Gretta is left on her own. Her world takes a turn for the better when Dan (Mark Ruffalo), a disgraced record-label exec, stumbles upon her performing on an East Village stage and is immediately captivated by her raw talent. From this chance encounter emerges an enchanting portrait of a mutually transformative collaboration, set to the soundtrack of a summer in New York City.
Criterion remastered and reissued Federico Fellini’s classic 1960 film La dolce vita. From Criterion,
The biggest hit from the most popular Italian filmmaker of all time, La dolce vita rocketed Federico Fellini to international mainstream success—ironically, by offering a damning critique of the culture of stardom. A look at the darkness beneath the seductive lifestyles of Rome’s rich and glamorous, the film follows a notorious celebrity journalist (a sublimely cool Marcello Mastroianni) during a hectic week spent on the peripheries of the spotlight. This mordant picture was an incisive commentary on the deepening decadence of contemporary Europe, and it provided a prescient glimpse of just how gossip- and fame-obsessed our society would become.
With our star and fame obsessed American culture, it certainly will be fascinating to take a look back at how Fellini saw it over 50 years ago! And no one does pristine film restoration with attention to detail better than Criterion.
Ryan Murphy’s (Glee, American Horror Story) HBO mini-series The Normal Heart gets released on DVD today. The Normal Heart is based on a 1985 play by AIDS activist Larry Kramer. A bit of trivia – Kramer’s husband’s brother and sister in-law live here in Fairfield. The story revolves around the very earliest years of the AIDS crisis before there was even a language to discuss the disease. Starring Mark Ruffalo as Ned Weeks (the Kramer character), Jim Parsons, Matt Bomer, and Julia Roberts – The Normal Heart acts as a history lesson for those too young to remember the horror of the 1980’s and early 90’s and a stark reminder to everyone else who lived through it. The film has a 94% critics rating on Rotten Tomatoes. We’ve got copies at both locations for you to check out.
Leo McCarey directed this classic screwball comedy in which Cary Grant and Irene Dunne play Jerry and Lucy Warriner, a couple whose marriage is starting to fall apart. Jerry informs Lucy that he’s taking a vacation alone in Florida; instead, he holes up with his buddies and plays poker for a week (while sitting under a sun lamp so he’ll have an appropriate tan). Lucy concludes that Jerry was never in Florida just as Jerry discovers that Lucy was spending her time with Armand Duvalle (Alex D’Arcy), a handsome voice teacher. Both Jerry and Lucy believe the other was unfaithful, so they agree to a trial divorce, with a bitter battle fought over custody of Mr. Smith, the dog (Lucy gets the dog, but Jerry has visitation rights). Determined to make Jerry jealous, Lucy continues keeping company with Armand while also dating Daniel Leeson (Ralph Bellamy), a wealthy oil man from Oklahoma. Convinced that turnabout is fair play, Jerry starts going out with Dixie Belle Lee (Joyce Compton), a brassy nightclub singer, as well as socialite Barbara Vance (Molly Lamont). However, Lucy has belatedly decided that she wants Jerry back, and she hatches a plan to win him back by making a spectacle of herself at a party. The Awful Truth was based on a play which had been filmed twice before, but McCarey gave his superb comic cast free reign to improvise and add new business, and the results were splendid; you haven’t lived until you’ve heard Irene Dunne attempt to sing “Home on the Range.” ~ Mark Deming, Rovi
If you’ve ever heard anyone say, “they just don’t make them like they used to,” check out The Awful Truth and watch the original screwball comic genius of Irene Dunne and Cary Grant – and be prepared to laugh a lot.
Jim Jarmusch dips into the vampire genre putting his own particular stamp on Only Lovers Left Alive with the help of Tom Hiddleston and Tilda Swinton as Adam and Eve, a pair of centuries old vampires. From Sony,
Set against the romantic desolation of Detroit and Tangier, an underground musician, deeply depressed by the direction of human activities, reunites with his resilient and enigmatic lover. Their love story has already endured several centuries at least, but their debauched idyll is soon disrupted by her wild and uncontrollable younger sister. Can these wise but fragile outsiders continue to survive as the modern world collapses around them?
David Ehrlich at The Guardian writes,
I’d happily argue Only Lovers Left Alive is Jarmusch’s best film, but it might be more helpful to say it’s his most fluent. The leads are Eve (Swinton) in Tangier, an ancient city forever on the cusp of rebirth, and Adam (Tom Hiddleston), in Detroit, contemporary America’s most famous icon of decay. Both are exotic in their own way. She Skypes him on an iPhone. He answers on a rotary relic that he’s rigged up through a tube television. They’re vampires, and they’re in love.
Great new Hindi indie The Lunchbox arrived this week at both locations. From Sony,
Middle class housewife Ila is trying once again to add some spice to her marriage, this time through her cooking. She desperately hopes that this new recipe will finally arouse some kind of reaction from her neglectful husband. She prepares a special lunchbox to be delivered to him at work, but, unbeknownst to her, it is mistakenly delivered to another office worker, Saajan, a lonely man on the verge of retirement. Curious about the lack of reaction from her husband, Ila puts a little note in the following day’s lunchbox, in the hopes of getting to the bottom of the mystery. This begins a series of lunchbox notes between Saajan and Ila, and the mere comfort of communicating with a stranger anonymously soon evolves into an unexpected friendship. Gradually, their notes become little confessions about their loneliness, memories, regrets, fears, and even small joys. They each discover a new sense of self and find an anchor to hold on to in the big city of Mumbai that so often crushes hopes and dreams. Still strangers physically, Ila and Saajan become lost in a virtual relationship that could jeopardize both their realities.
In Hindi and English with English sub-titles.
Find The Lunchbox on Blu-ray and DVD at both locations in our catalog.
Chile’s entry for Best Foreign Film at the Oscars finally gets released on DVD. We’re guessing this film will resonate with a lot of our patrons. From Indiewire,
“Gloria,” Chile’s official entry for the Best Foreign Language Film category has swiftly attracted widespread critical acclaim for offering an honest, comically-driven portrait of your not-so-typical 50-something year old single woman.
When fun-loving Gloria (Paulina Garcia) steers her way through the trappings of loneliness and into Rodolfo’s (Sergio Hernandez) arms, his limbo-like affair with his (ex)wife forces her to retreat from her sudden romantic glow. Gloria, however, drags herself heart break to happiness and shines brighter than ever as an emotionally reborn woman in her golden years.
Sebastian Lelio’s “Gloria” is at first glance the antithesis to a conventional sorrowful break-up drama ripe with shouting matches and teary monologues. What is presented to us instead is a refreshingly optimistic “look on the bright side” tale of a character for whom age and relationship status could not be more irrelevant.